To tell a tale-29 (Chapter-7 Part-7) -Chandra Latha M.M.Bhakthin explains that “the novel is determined by–experience, knowledge and practice (the future).” This is the equation of the past, present and Continue Reading
To tell a tale-29 (Chapter-7 Part-6) -Chandra Latha Heteroglossia as defined by M.M.Bhaktin is the base condition governing the operation of meanings in any utterances. It is that which insures Continue Reading
To tell a tale-28 (Chapter-7 Part-5) -Chandra Latha Gopichand’s seventy year old novel may appear relevant for latest times appealing to the present reader, and the decade old novel, The Continue Reading
To tell a tale-27 (Chapter-7 Part-4) -Chandra Latha In the thesis, the distinctive narrative styles of the selected novels written in the native languages of Continue Reading
To tell a tale-26 (Chapter-7 Part-3) -Chandra Latha M.M. Bhaktin suggests that the organic nature of novel is embedded in it’s pluralistic nature. Marquez’s conscious choice of multi-fold narration makes Continue Reading
To tell a tale-25 (Chapter-7 Part-2) -Chandra Latha With appropriate expression of percept and concept, this novel achieves Sui generis. With the lofty narrative style to describe trivial things with Continue Reading
To tell a tale-24 (Chapter-7 Part-1) -Chandra Latha The Narrative of Life: Conclusion The selected novels of this study are from various parts of the Continue Reading
To tell a tale-23 (Chapter-4 Part-4) -Chandra Latha The Shattered Glass: The Tin Drum Günter Grass The Tin Drum is filled with religious overtones. Critics Continue Reading
To tell a tale-22 (Chapter-4 Part-3) -Chandra Latha The Shattered Glass: The Tin Drum Günter Grass Narrative overtones are present throughout the novel. When Oskar was caught and asked to Continue Reading
To tell a tale-21 (Chapter-4 Part-2) -Chandra Latha The Shattered Glass: The Tin Drum Günter Grass Oskar’s perspective of photographic image gives rise to a contemplation upon inconsistency between accepted Continue Reading
To tell a tale-19 (Chapter-3 Part-5) -Chandra Latha Among the other characters, Lakshamamma, Lalitha, Padma and Ammayamma need special mention. Minor characters like Sita, Jaggaa Rao’s mother and have their Continue Reading
To tell a tale-19 (Chapter-3 Part-5) -Chandra Latha Among the other characters, Lakshamamma, Lalitha, Padma and Ammayamma need special mention. Minor characters like Sita, Jaggaa Rao’s mother and have their Continue Reading
To tell a tale-18 (Chapter-3 Part-4) -Chandra Latha The dilemma is that which class does Chandrashekharam belong? The oppressed or the oppressing? It reflects the dual nature and the split Continue Reading
To tell a tale-17 (Chapter-3 Part-3) -Chandra Latha Situational irony the disparity of intention and result and the result of an action in contrary to the desired or expected is also Continue Reading
To tell a tale-16 (Chapter-3 Part-2) -Chandra Latha In the novel, Krishna Rao invokes Karl Marx, and legendary epics like Mahabharatham, Bhagavadgeetha, classic poetry like Kalahastheeswara Satakam many times. The Continue Reading
To tell a tale-15 (Chapter-3 Part-1) -Chandra Latha A Cup of Brewed Coffee: Puppets G.V. Krishna Rao It’s boiled. It’s steeped. It’s made into steaming hot coffee brimming creamy soft Continue Reading
To tell a tale-14 (Chapter-2 Part-7) -Chandra Latha Gopichand avows, “Expression of life is the ultimate attraction. Any defined literary form is a fixed frame. Literary forms are born to Continue Reading
To tell a tale-13 (Chapter-2 Part-6) -Chandra Latha In his detailed essay, Rationalism and Naturalism, Gopichand declares, “I agree that there are limitations to Rationalism. But, only rationalism can explore Continue Reading
To tell a tale-12 (Chapter-2 Part-5) -Chandra Latha As the children in the street make fun of these as madman’s scribbling or the manager removes him from the job, they Continue Reading
To tell a tale-11 (Chapter-2 Part-4) -Chandra Latha Gopichand infuses epistolary form to the narrative as a powerful means of discourse among the characters. Sitarama Rao gets a letter from Continue Reading
To tell a tale-9 -Chandra Latha Passage :1 At one time, he had considered it very wrong to strike children, a great sin. He was surprised how parents could Continue Reading
To tell a tale-9 -Chandra Latha Chapter–II Falling From the Peak : The Bungler Gopichand The second chapter, titled The Bungler’s wife, focuses on Indira. With the humble financial support Continue Reading
To tell a tale-8 -Chandra Latha Chapter–II Falling From the Peak : The Bungler Gopichand “The Mind is its own place, and in itself Can make Heaven of the Hell, Continue Reading
To tell a tale-7 -Chandra Latha Chapter-I (Part-6) After examining the different definitions of narratology, an attempt is made to list out the various narrative techniques with respect to the Continue Reading
To tell a tale-6 -Chandra Latha Chapter-I (Part-5) Geoffrey Chaucer, a 14th century British poet followed the narrative style of the Decameron with the similar narrative frame work in Continue Reading
To tell a tale-5 -Chandra Latha Chapter-I (Part-4) The Native American Indian story tellers like Benjamin Whorf (https://en.wikipedia.org/wiki/Benjamin_Lee_Whorf) Franz Boas(https://en.wikipedia. org/wiki/Franz_Boas), think that the native narrators do not experience themselves, Continue Reading
To tell a tale-4 -Chandra Latha Chapter-I (Part-3) Narratology and Novel In narrative theory, the actant is a term from the actantial model of semiotic analysis of narratives. Greimas’s actantial Continue Reading
To tell a tale-3 -Chandra Latha Chapter-I (Part-2) Narratology and Novel This pioneering structuralism theory, distinctively developed, is based on the study of narrative in literature or Narratology. However, Lévi-Strauss’s Continue Reading
To tell a tale-2 -Chandra Latha Chapter-I Narratology and Novel The human being is considered a thinking animal and he is a social being by nature. One can surmise that Continue Reading
To tell a tale-1 -Chandra Latha On the Other Note (Intro: To Tell a Tale) “Why do you need a Ph.D.? Instead, focus on your fiction. Your fiction is expected Continue Reading
