Cineflections-39 Hamsageethe (The Swan Song) – Kannada, 1975 -Manjula Jonnalagadda “It is only rigorous training and in depth study that make music mature into the realm of the classical.” – Mangalampalli Continue Reading
Cineflections-38 Sinhasan – Marathi, 1979 -Manjula Jonnalagadda “If an enemy has alliances, the problem is grave and the enemy's position strong; if he has no alliances, the problem is minor Continue Reading
Cineflections-37 Salaam Bombay! – Hindi 1988 -Manjula Jonnalagadda “We are a country that prides itself on power and wealth, yet there are millions of children who go hungry every day. Continue Reading
Cineflections-36 RRR (రౌద్రం, రణం, రుధిరం /Raise, Roar, Revolt) – Telugu 2022 -Manjula Jonnalagadda Distorted history boasts of bellicose glory… and seduces the souls of boys to Continue Reading
Cineflections-35 Prayanam (The Voyage) – 1975 Malayalam -Manjula Jonnalagadda “I remember one desolate Sunday night, wondering: Is this how I’m going to spend the rest of my life? Married to Continue Reading
Cineflections-34 Katha – 1983 Hindi -Manjula Jonnalagadda “Being a nice person is about courtesy: you’re friendly, polite, agreeable, and accommodating. When people believe they have to be nice in order Continue Reading
Cineflections-33 36 Chowranghee Lane – 1981, English -Manjula Jonnalagadda “Let me tell you this: if you meet a loner, no matter what they tell you, it’s not because they enjoy Continue Reading
Cineflections-32 Nishabd – Hindi, 2007 -Manjula Jonnalagadda “There is no anti-aging more potent than a young lover bursting with lust for your middle age vulnerability who pulls you out of Continue Reading
Cineflections-31 Ankuram – Telugu, 1992 -Manjula Jonnalagadda First they came for the Socialists, and I did not speak out— Because I was not a Socialist. Then they came for the Continue Reading
Cineflections-30 Atithi – (The Guest) 1965, Bengali -Manjula Jonnalagadda “I am no bird; and no net ensnares me: I am a free human being with an independent will.” ― Charlotte Continue Reading
Cineflections-29 Kushboo – (Fragrance) 1975, Hindi -Manjula Jonnalagadda “एक छोड़ी हुई लड़कीको वापस लेले इससे बड़ा मान क्या मिलेगा उसे?” – बृन्दावन की माँ “मैं रस्ते में बैठी हुई हु? Continue Reading
Cineflections-28 Thampu – (The Tent) Malayalam, 1978 -Manjula Jonnalagadda “The circus comes as close to being the world in microcosm as anything I know; in a way, it puts all Continue Reading
Cineflections-27 Shantata! Court Chalu Aahe – (Silence! The Court Is In Session) – 1971, Marathi -Manjula Jonnalagadda “Women’s liberty”, “women’s independence” are words on everybody’s lips these days, but they Continue Reading
Cineflections-26 Show – 2002, Telugu -Manjula Jonnalagadda “All the world’s a stage and all men and women are merely players” – William Shakespeare in As You Like It. Show is Continue Reading
Cineflections-25 Amma Ariyan (Report to Mother) -1986, Malayalam -Manjula Jonnalagadda “Consciousness is only possible through change; change is only possible through movement.” – Aldous Huxley Amma Ariyan is a film Continue Reading
Cineflections-24 Madhumati – 1958, Hindi -Manjula Jonnalagadda Dilip Kumar was one of the most influential actors of the Hindi film industry. His acting style influenced later super stars like Amitabh Continue Reading
Cineflections-23 Anaahat (Eternity) – 2003, Marathi -Manjula Jonnalagadda Niyoga is an ancient process though which women could have children when they could not have children through their husbands. In this Continue Reading
Cineflections-22 Chauthi Koot (The Fourth Corner) – 2015, Punjabi -Manjula Jonnalagadda “An eye for an eye will only make the whole world blind.” ― Mahatma Gandhi Chauthi Koot is a Continue Reading
Cineflections-21 Junoon – (The Obsession) 1978, Hindi -Manjula Jonnalagadda The 1857 rebellion against India also known as the first war of independence had ended the reign of East India Company Continue Reading
Cineflections-20 Daasi – Telugu, 1988 -Manjula Jonnalagadda “Women are frequently treated as property, they are sold into marriage, into trafficking, into sexual slavery. Violence against women frequently takes the form Continue Reading
Cineflections-19 Visaaranai (Interrogation) – Tamil 2015 -Manjula Jonnalagadda Between 2011 and 2019 there were about 860 recorded deaths at the police stations in India. In all likelihood they are underreported. Continue Reading
Cineflections-18 Jaane Bhi Do Yaaro – Hindi (1983) -Manjula Jonnalagadda “Corruption and hypocrisy ought not to be inevitable products of democracy, as they undoubtedly are today.” – Mahatma Gandhi Jaane Continue Reading
Cineflections-17 Grahanam (The Eclipse) – 2004, Telugu -Manjula Jonnalagadda Unless you believe in some principles to be true, there can be no peace. The intellect of all those who say Continue Reading
Cineflections-16 Charulata – Bengali,1964 -Manjula Jonnalagadda Soumitra Chatterjee collaborated with Satyajit Ray on 14 films. They were like Marcello Mastroianni and Federico Fellini, Toshiro Mifune and Akira Kurosawa, and Tony Continue Reading
Cineflections-15 Kharij – Bengali, 1982 -Manjula Jonnalagadda According to the 2011 census there are 10.1 million child laborers working in India. There are laws against child labor, but they are Continue Reading
Cineflections-14 Ghatashraddha – Kannada 1977 -Manjula Jonnalagadda Widows in India didn’t remarry until a few decades ago. Young widows mostly spent time at their parents’ home mostly doing household chores. Continue Reading
Cineflections-13 Mirch Masala – Hindi, 1987 -Manjula Jonnalagadda Sexual violence is common throughout the history of humans. It is often used to subjugate women. Mirch Masala is a film made Continue Reading
Cineflections-12 Vanaja – Telugu, 2007 -Manjula Jonnalagadda Vanaja means the one born in a forest, untamed and pure! It is also another name of Parvathi, the goddess of strength. Vanaja Continue Reading
Cineflections-11 Ashani Sanket (Distant Thunder) – Bengali 1973 -Manjula Jonnalagadda 2.5 to 3 million (5% of the population) died in the great famine of Bengal due to starvation in one Continue Reading
Cineflections-10 Cineflections: Gaman -The Journey (Hindi, 1979) -Manjula Jonnalagadda It is estimated that there are 139 million migrant workers are in India. They mostly migrate to cities like Delhi & Continue Reading
Cineflections-9 Vanaprastham – Last Dance (Malayalam, 1999) -Manjula Jonnalagadda Kathakali is a traditional form of dance. Katha means story through kali comes from kala or keli which loosely translates to Continue Reading
Cineflections-8 Arth Satya – Half Truth (Hindi, 1983) -Manjula Jonnalagadda “चक्रव्यूह में घुसने से पहले कौन था मै और कैसा था ये मुझे याद ही ना रहेगा चक्रव्यूह में घुसने Continue Reading
Cineflections-7 Maa Bhoomi (Our Land), Telugu 1979 -Manjula Jonnalagadda “For each new class which puts itself in the place of one ruling before it, is compelled, merely in order to Continue Reading
Cineflections: Ajantrik (The Pathetic Fallacy) Bengali, 1958 -Manjula Jonnalagadda We all have things that are beyond their prime. They may be torn, spoilt, or broken. But we cannot get rid Continue Reading
Cineflections: Nizhalkuthu (Shadow Kill), Malayalam. 2002 -Manjula Jonnalagadda Capital punishment in India is rare. It is mostly awarded in high profile cases. In India capital punishment is death by hanging. Continue Reading
Cineflections: Sthree (Woman), Telugu -Manjula Jonnalagadda “That night was filled by immeasurable softness and enormous femininity. In that hug I fondly remembered the tragic stories; the stories of feminine nature Continue Reading
Cineflections: Uski Roti (His Bread/A Day’s Bread) -Manjula Jonnalagadda For love would be love of the wrong thing; there is yet faith, But the faith and the love and the Continue Reading
Cineflections: Nimajjanam (Immersion) -Manjula Jonnalagadda Language: Telugu Year: 1979 Hindus believe Ganga washes away their sins. If a person’s ashes are immersed in the river Ganga, that person will be Continue Reading
Cineflections –Manjula Jonnalagadda “Art is a manifestation of emotion, and emotion speaks a language that all may understand” – Somerset Maugham in Moon & Six Pence Good cinema is Continue Reading
